Here Mapplethorpe reimagines the sculptural object as a human body part. There was a reason that bronzes are bronze. Consciousness of the body is solely a negating activity. He photographs life outside of where life happens by decontextualizing the object or person in the photographic studio - thus lending the viewer a disembodied look at the subject. Mapplethorpe and the three models, in conjunction with stylist Kate Harrington, told a story that emanated from the racial identities of these models as well as the fashion they wished to explore.
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The psychic image of identification can also be interpreted as an actual physical image. Self-Portrait marks Mapplethorpe's transition from collage, mixed media, and assemblage to focusing exclusively on photography. Pay based on use. And during that same period, cultural standards have loosened, to a degree. Although the attack on Mapplethorpe focused mainly on his depictions of gay male sadomasochism and portraits of naked children, his black male nudes are equally, if not more, problematic --not only because they explicitly resemble, aspects of pornography, but because his highly erotic treatment of the black male body seems to be supported by a whole range of racist myths about black sexuality. A familiar argument was that the beauty of the images, their classicism, outweighed charges of pornograpghy and offensiveness. Although often considered controversial, Mapplethorpe tested the right to individual freedom of expression.
